Whilst you’re nonetheless within the vice-like grip of its multilevel narrative it might not really feel prefer it, however a movie like Agnieszka Holland’s bruisingly highly effective new refugee drama finally comes from a spot of optimism. It’s optimistic to count on and nurture of a response of doubtless motivating outrage, while you painting the brutality of which human people, on the behest of human establishments, are succesful. It’s optimistic to consider that, confronted with extraordinary cruelty, a viewer’s odd decency will likely be compelled to rise and insurgent….
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