The final time Sofia Coppola made a film a couple of teenage royal residing in a rococo palace that turned out to be a lavish jail, it was 2006, and the film, “Marie Antoinette,” was a stylized dream of historical past — the story of the younger queen as naïve and remoted rock star. Coppola’s new film dramatizes the connection between Priscilla and Elvis Presley, and the parallels with the sooner movie are there if you wish to see them. This time, although, Coppola goes in the other way, working with a casually meticulous docudrama authenticity. Within the 17 years since…
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