The unkillable vampire legend will get considered one of its frequent cinematic resurrections (this Venice Movie Pageant alone boasted three extra: “El Conde” in competitors, “En Attendant la Nuit” in Horizons and “The Vourdalak” in Critics’ Week) with Québécois director Ariane Louis-Seize’s sweetly gothy Venice Days winner, a movie wittily — if too comprehensively — described by its title: “Humanist Vampire Searching for Consenting Suicidal Individual.” The thought of a vampire who doesn’t need to kill is hardly with out precedent. However Louis-Seize’s…
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